I put more here, but decided to remove it to avoid someone using it and saying she’s me.
More soon! :>
More soon. high low-tech rawks.
TRUEORIGIN Channel
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Independent English Playwright (Literary Writer) & Fine Artist:
Meryl Yeo, Yawen
Firmly Non-AI.
*Previously Registered by Swiss Authorities against my consent, as:
Yawen Schindhelm née Yeo*
(formerly aka Mrs. Michael Schindhelm 2019-2024. He’s 23 years my senior.)
I’m an individual, non-government, and have never been part of any politics/activism and/or any such groups. I’m entirely self-directed in my Art practice, which are born of my honest self-expression and natural desires/talents since early childhood. In no way do I receive assistance nor do I do paid-for-hire works or commissions.
My 2014 Artwork as seen in the background of my website (trueorigin.net) is pencil on paper, with original digital handpainting applied using a scientific method with encryption elements. It employs two unique original inventions of mine in a marriage of Science and Art using technology, with my Art cryptography-based formula designed for universal prevention of forgery/metadata erasure or tampering, which I was unfortunately never assisted to develop and patent neither in Singapore, nor Australia, nor later in Switzerland. I never got to work on any of it at all in Switzerland, nor on my own chosen career or life’s work. I obviously never transferred any of it to Switzerland. Even if someone were to take an eraser to the physical pencil drawing or destroy the 3D copy, the full integrity of the Artwork is preserved and can be faithfully restored. My Art is bespoke — woven existentially and spontaneously into cultural tapestries, sequenced using time, with me in full control and decoding / deciphering with precision while painting and expressing the Results technically, creatively and artistically in the truest/highest order. The aforementioned techniques remain my sole inventions under my exclusive care and ownership.
The idea behind it is very simple, aside from what you obviously see. If you have no idea what’s the key, you can have the file but never the original. It would be like being able to read the name of the file and see a lot of words from the gate but not open it to read it.
As for live works based on my manuscripts, I have to be correctly positioned within the framework at the right times and in command for things to work. It never works if I’m forced out, refused the right to leave at the same time, and/or set up to be used as a relay from outside the framework as if it could be transferred to someone else (or whatever misguided setup that was).
I will never lower myself to sell my Artwork and/or Written works. Some people still fail to understand, but they will, that I will fight to the death to carry out my chosen career. I will *never* shrink back down. They have/need AI, but as always — I learn fast.
My two studios were at:
422 Collins St, Temple Court (Melbourne Australia, 2013-2015)
22 Starlight Road, Farrer Park (Singapore, 2017-2019)
I have no holiday home in Australia (i.e. Queensland/Gold Coast countryside) or any country, certainly not one I lease out to the public. If/when I have an official event or studio/ shared accommodation, it will be exclusively announced here. Collins St Melbourne was the only time I have ever offered a stay to visitors.
There’s some people who are trying to create identity verification issues for me. I have no house in Europe, never bought one anywhere and certainly never gifted one.
In the past years in Switzerland, none of the writing or productions were mine. None of those works were mine at all. I was refused any and all negotiations, you can’t force anyone to sign contracts and you can’t make deals with someone who’s already on a totally different job/contract involving you without your knowledge/consent, even when they first approached you for the 1st time. I was just refused, it seems they were already signed up with someone else for undeclared works to monetize my private time/ life without my consent. And when I found out there was something seriously wrong they wouldn’t let me go. I was asked to show how I would instruct directors, cameramen and people on set, but never properly involved. While this was happening my manuscripts and scores created from before were being published from a different country on a 10 year run without remuneration/engaging me properly — no point of contact. Meanwhile I was refused access/funding for my projects on the ground and and completely stopped from doing anything for myself, stopped from carrying out my own plans. I was made to give a list of equipment that was not for me, not for my work and not for my projects, or things would be made very difficult and we would be made to fail catastrophically — as if someone was going to make sure of it. I was stopped violently anytime I tried to do my projects or negotiate, made to provide samples of my own footage with symbols, and because I knew what it meant I gave one like the ‘spinning’ spoon ending and ordered the yellow treatment (it is somebody else’s symbol and more than one person’s, the yellow cast from that school of symbolism has a completely different meaning, it was my message in case the scene was used to indicate that those works, messages and base writings were altered, there was something there that was not mine, that wisdom was being appropriated, that I was being forced to do something against my beliefs/will and silenced by people who wouldn’t take no for an answer).
I’ll be changing my Singapore number soon, also due to security issues.
I have never been a French speaker, but have had housemates and friends who are French or whom speak French.
Appearance-wise I’m visibly fair-to-beige skinned, 5”5 to 5”6, use no hair weaves (ultra long dark hair) and speak English closer to RP. I’ve travelled the world since I was an infant, with the full privilege of the later Golden age of travel.
Everyone who has ever known me by being a part of my life, knows I picked up the usual jobs artists take on so I could create my original non-commissioned manuscripts and artworks for my own body of works. That’s why I have had my own independent Art studios. Although some people tried to erase my photos, records and history, my Airbnb profile has some feedback which proves my Melbourne studio existed within the timeframe claimed (alibi, unrelated person) and is the only one with a record of my previous Aussie mobile number +61 422 555 225 from the same time period.
I originally had more up here, but decided to remove it to avoid enabling someone to use it and just say she’s me.
People can believe and do whatever they want for themselves. As long as they’re not seriously expecting to force me into anything outside of what we’ve agreed.
For what it’s worth, here I come with pen and brush as sword. :>
I will announce my projects exclusively here on trueorigin.net.
There are many copycats, but only one .Net
Yes, I still like retro video games.
secure end-to-end PGP encrypted person email for sensitive correspondence and file drops — mdm.hatter@proton.me
All Rights Reserved, 2026 Meryl Yeo, Yawen