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Independent English Playwright (Literary Writer) & Fine Artist:

Meryl Yeo Yawen

And if it helps you understand better which is which:
Mdm. Yawen Yeo (Meryl)

Meryl’s just my maiden nickname.
Yeo’s my surname.
As per Singapore passport I’m Mdm. Yawen Yeo

I descend from a line that is
Literary . Artistic . Musical

Swiss Authorities registered me on their Federal government databases as:
Yawen Schindhelm née Yeo

(formerly Mrs. Michael Schindhelm 24 Oct 2019-21 Nov 2024. My first marriage. Now divorced. He’s 23 years my senior. I’m born in the 80’s. I’ve never been his representative or worked for him, nor has he been my representative nor worked for me.)

Sometimes the solution is not to keep quiet but to speak up and command, to embody the appropriate element, when the time is right.

My original compositions and music are at present being wrongly attributed to a brown person. My Singapore Birth Certificate shows I am a mix of two pure Chinese races. Swiss Authorities have to follow my Singapore Birth Certificate.

I’m not just reading existing old material from scrolls. I’ve created new material true to linguistic roots which requires successful connection as a First Language majority, never-before seen on this planet as my connection is completely unstunted and primary, as opposed to being born of a second/third/fourth language and so on, which means I can spontaneously create entirely new material in full layers which contain my instruction, while others can only maintain, copy and/or take instruction. The one with Eyes of Rose has battle experience. They’re not a virgin/near-virgin keyboard warrior who got a job or office job at age 30+, or whatever. Remember that.

I have engaged lawyers and am in the midst of lodging a formal police report over the theft of my Identity.

(under construction)

Neither my biological mother nor I have ever received Assistance or welfare in our respective lives, at any time. I’m her Eldest daughter, who went to school at Nanyang Girls’. I’m the only one who made the cut into a top school — despite the name none of us who go to these schools actually receive assistance, quite the opposite in fact (SAP means Special Assistance Plan). I no longer live in Australia. That’s someone else. I’ve never had a brown or black partner. Beware of mistaken identities.

My mother was particularly known in her time for per business prowess. She could really intimidate when she meant business, could take grown men aside and stare them down in private, it was enough to disconcert them into backing off. She was able to fend off the family business in the 70’s (financial institute since the 70’s, with our own bank vault). This was no joke at a time when there were problems with bands of men and Communists in Singapore. But she was also a mother.

In terms of leadership amongst women, we’re clear leaders in the modern day dialogue - immune to the subversion and pigeonholing of today’s times that belong firmly in the past.

There are people trying to confuse our identities with people that we’re not.

When I was in Singapore’s Top 2 girl’s high school in the 90’s (Nation’s Top 1 Chinese girls’ school, no other races), at around age 14, my schoolmates and I came under attack from a group outside of Singapore. Almost all the girls at the school had had our contact details publicly distributed, people were told we were prostitutes and encouraged to seek us out. It was announced during assembly and was greatly upsetting to us, some of us teared or cried a little, but we were told that everything was under control. This incident caused the adults to cut something that was in the major pipelines between our countries. It was huge, they’re still sore about it, but they went for the womb and they got their wings torn off. But history need not repeat itself either way. I guess when you’re ahead of the pack, some people with less integrity and over-reliance on false marketing/data sets can try to kill you before you’ve even gotten the chance to step out. All Switzerland has seemed intent on proving to me is that it continues even when you’re into your 40s. It must be tiring for them to live in fear of one’s honest and highest potential. With Singapore, everyone wants in, but it hardly means they’ll get it. Like I said, history need not repeat itself either way. But they just epic-ly blew their chances in a way that’s difficult to get angry about. All you feel is pity because they don’t seem to understand that they’re the ones who are unable to continue — anything that’s faked or manipulated without what’s needed to fully be in place will simply burn away, or be challenged in the sorts of tests most of them like to administer but none of them pass. For people like myself and mum, and no doubt countless others who quietly operate in the shadows to avoid these backwards-mentality people, can find it difficult to know how to build a life when the world is psychologically living a few centuries behind. But I have government contracts waiting for me, that want me to step forth into my role, to firmly align with my purpose and place in life, that leads people forward into a confident and bright future rather than be sucked back and dragged into the false marketing that needs the best of us to be stuck in the past by people who never got past their own rights’ movements from back in the day and are still fighting in those terms or trying to force everyone else to.

In Melbourne, I encountered a Malaysian boy with an Asperger’s diagnosis. I had wanted love. But this was all the way back in 2002 and it’s now 2026. I have no idea why this should keep coming up again and again year after year, as if people refuse to get over it and let me go over this. Sharing my experiences about that relationship helped several top moviemakers depict more realistic intimate emotions in their male leads on camera and closeup, where the man expresses himself while being clearly wired for a high level of emotional detachment. It seems that my information was shared.

I’m atypical with no disability (unless someone would like to admit that something *was* done to try and achieve that end) and have been incredibly well-adjusted. I’ve done some prestigious work and made an award-wining documentary. Before Switzerland I was like this: I’d “spin” tunes like a DJ, while I was C-Level. People felt that I was being given way too many responsibilities. I’d often laugh and joke that I was a “Corporate Trainer”. It was such that when anyone remotely suggested that I could be the kind of gal to only know how to follow or cling onto a man, people thought it was utterly ridiculous and jeered them out of town. It was surreal, the impossible happening in the relative backdrop of GamerGate. And later I demonstrated that I’m my own artist, capable of making own original music and layered narratives with sophisticated symbols that had never been seen or experienced in this world — this was when things became intense, where there were sustained efforts to try and obscure or destroy my identity, prevent me from being seen/found, and/or prevent others from recognizing me.

My mother could stare grown men down and get them to back down or cooperate. I could also fend for myself, and after our girls’ school contact details were shared I found myself fighting all these people off in Melbourne, again in Singapore, and again back and forth.

I’m in no way a brown person. These are my originals. The administration is allowing somebody to commit identity theft using my credentials to say that they are me, to make it seem like they are responsible for my original music and original creative compositions because I’ve been registered on paper in Switzerland to look like a brown person and take my own identity away from me. They’re refusing to fully disclose my own data. Meanwhile I see people have been releasing incongruent content into the pure harmonies. That’s why it all sounds all out of sync and nonsensical now, it’s exactly as clumsy as stumbling into minor keys where the piece clearly calls for major keys. People can discern it’s not the same author, their funding is not forthcoming now. The ones in Singapore have dared to ask me how I convinced people to fund my projects and they didn’t even have the guts to ask me to my face — they sent people.

People just believe anything they’re told without verifying whether or not it applies to me or my situation. I’m neither black nor brown, nor am I a displaced Asian minority. No one would mistake me for a Caucasian or brown Asian race in person. The late Mr. Lee Kuan Yew’s accent is completely searchable on Youtube, like him I’ve also stayed true to myself and never capitulated to identity politics/loss.

At the moment I’m trying to figure out what to do in the face of zero information. It’s right there, I’m entitled, it literally states it’s available, they’re just arbitrarily refusing to give access in person, for 5-7 years and counting. I don’t know who I’m supposed to meet up with. You just have to have a look at my CV to understand that it’s never been that I’d have no idea how to ask or get what I want, it’s never been that I don’t know how to be likeable, nor that I never said no, I can even do internal query. It literally means they’re knowingly taking my money each time but each time pointedly denying access and refusing to deliver. You get what I’m saying? Principles of non-delivery are firmly etched in Law, the Swiss equivalent of Misfeasance by a Public Official are in Art. 97 CO (Breach of Contract/Improper Performance) and Art. 41 CO (Negligent Torts).

If someone shows up claiming they are me but they have an Indian accent or a China or Hong Kong accent, please call the police right away, and report them for identity fraud. If possible please let me know or get police to contact me by email / my Swiss or Singapore phone number. I’m fair-skinned Chinese and look full Hakka Chinese. I’m the only sibling whose face looks full Hakka, body takes from dad’s side with the bone structure.

Firmly Non-AI.

I have never consented to appear at any conference or meeting as AI.
I have never consented to be turned into any functional real-life depiction of AI.
I’ve never consented to come onboard any project and/or show as AI.
I have never agreed to have any part of my likeness, life and/or works recorded into and/or attributed to real-world usage of AI.

I’ve never been involved in any project that would make me appear to endorse AI.

I have never consented to be featured in video games such that anyone paying to play as Master Chief could experience me and my likeness as some kind of grotesque idealized deferential sanitized TAF-club Oracle version of myself helping (any number of players playing as) him out, putting me to non-consensual free labour in a psychopompos function of taking players to graduate to the next stage after they “win”, surrounded by reverent players and NPCs, advising players of what the future’s going to be like and where they’re going to go in HQ or mission control or whatever place of rest or battle, and whatnot. I have never consented, no agreements were made with me. I’ve never been here to wait on you as your psychopompos or “God”-like thing, nor anything else never agreed, in any shape or form. If anything, in reality I am more like glorified pest control than a glorified servant, and I have a really robust appetite but I digress.

I will never lower myself to sell my Artwork.
Even if other people try to stop me from being recognized, if they think I’ll just give up what I’m doing and simply hand it over to them if they can make life hard enough for me — they wish. They’ve mistaken kindness for weakness, when it makes for the strongest and most successful of leaders.

My Artworks consist of, well, Art, as well as a sophisticated manual encryption using a specific self-invented technique of digital layering with no AI assist, held in frames of real capture. The technique is anti-fraud, anti-AI and anti-metadata tampering, and preserves an original author’s signature which remains traceable even if metadata is swapped and/or tampered with to obscure or attempt to transfer their authorship (and therefore ownership). There is a layered key of scaleable complexity. My original IP involves highly scaleable, patentable elements. More than just design and aesthetics, they involve technology and programming that a 5 year old could use blindfolded (Or even just before they take their 1st wail, really). In other words, an earliest form of open capture cryptography. Even if someone else has obtained my original image and all the layers, they can only display the image without the authorship key.

My works are entirely original such that they’ve been considered never-before seen across our current world and era. They’re not simply translated from existing old texts, improved from other people’s works, nor a reorganization and/or re-look of other people’s existing works and/or “errors”. They’re also nothing like a surrealist’s painting which is only abstract, absurdist and/or ornamental rather than practical, functional and easily relateable/understood. This is Master material I’ve created, that regular people can relate to, from the highest to the lowest of us, composed from a string of unique experiences that no one else has had, harmonics rooted in reality, and in combinations that no one else has managed, majority of them moment-in-time dependent and can’t be relived or replicated even if you try now. My works were just published unabridged in its full volume which gave them a whole 10 year run, presented as is, and as works that are presented as highly relatable by those who clearly felt that my material speaks to them. That’s proof. My works are signed (see cryptography, as above). The puzzle is solved through my works. There are people who are hiding the truth.

There have been many for whom my works have spoken to deeply, are deeply felt, they contain hidden messages only for them, that only they can understand, yet it manages to have something for everyone. Music. Image. Sound. Word. It is bespoke. I’m particularly known for.getting :) diverse groups to work together, especially those that have historically disagreed or been in opposition with each other.

The living signature is inimitable.

My previous Aussie mobile number was +61 422 555 225.

I’m on it! :)

I’m a playwright, original composer and standalone Fine artist (neo-digital, Cryptography & Art), and sole Owner of my own business. My works are bespoke based on my own unique self-generated original creative material. No commissions, no endorsements, no representatives. I’m the sole owner of my original IP/copyrights. Please only deal direct.

I’ve never authorized nor consented to having my work(s), private property, identity and/or likeness be transferred to any other individual, entity and/or group at any time, in any manner, shape or form, whether in part or full, nor be used to inform Artificial Intelligence (AI), to be falsely characterized as being and/or associated with AI at any time, in any manner, shape or form, whether in part or full.

I am firmly non-government, and am an Independent voice that stands firmly apart from activism/politics. I’m entirely self-motivated in my Art practice, combining honest self-expression and whatever was naturally available to me since early childhood. In no way do I receive assistance, nor do I do paid-for-hire works or commissions.

My works often explore the art of Self-Criticism as empowerment through transmutation. In no way does it advocate being cruel to yourself or allowing/inviting abuse.

My 2014 Artwork as seen in the background of my website (trueorigin.net) is pencil on paper, with original digital handpainting applied using a scientific method with encryption elements. It employs two unique original inventions of mine in a marriage of Science and Art using technology, with my art cryptology-based design for universal prevention of forgery/metadata erasure or unique signature tampering. Even if someone were to take an eraser to the physical pencil drawing or destroy the 3D copy, the full integrity of the Artwork is preserved and can be faithfully restored. Even if someone were to take your works apart and write their name(s) all over yours, or try and make you disappear, you can and will be found. My Art is bespoke — woven existentially and spontaneously into cultural tapestries, sequenced using time, with me in full control and decoding / deciphering with precision while painting and expressing the Results technically, creatively and artistically in the truest/highest order. The aforementioned techniques remain my sole inventions under my exclusive care and ownership.

The idea behind it is very simple, aside from what you obviously see. If you have no idea what’s the key, you can have the file but never the original. It would be like being able to read the name of the file and see a lot of words from the gate but not open it to read it.

I originally had more up here, but decided to remove it to avoid enabling someone to use it and just say she’s me. I’ve never been related to black or brown people aside from having friends.

People can believe and do whatever they want for themselves. As long as they’re not seriously expecting to force me into anything outside of what I’ve agreed.

For what it’s worth, here I come with pen and brush as sword. :>

Projects announced here.

There are many copycats, but only one .Net

Yes, I still like retro video games.

secure end-to-end PGP encrypted person email for sensitive correspondence and file drops — mdm.hatter@proton.me

I put more here, but decided to remove it to avoid someone using it and saying she’s me.

More soon! :>

More soon. high low-tech rawks.

TrueOrigin™ CHANNEL

All Rights Reserved 2025 Meryl Yeo, Yawen (YAWEN Schindhelm née yeo)
(Maiden nickname: Meryl)

there are many copycats, but only one .net